N. Dash, Groundings (1), 2012. Adobe, jute, linen, wood support, 78 1/2 x 100”.
RECOMMENDED: N. Dash’s first solo show is currently on view at Untitled (30 Orchard Street) through June 17, 2012. The exhibition presents new photographs and wall sculptures. The wall pieces are made from the otherwise hidden materials of traditional painting—linen, wood, rabbit skin glue, canvas, jute—they read as deconstructed canvases, wavering between sculpture and painting. Dash earned her MFA from Columbia University in 2010 and has recently exhibited at Peter Blum Gallery, Tonya Bonakdar, and Nicole Klagsbrun Gallery. She lives and works in New York and New Mexico.
RECOMMENDED: N. Dash’s first solo show is currently on view at Untitled (30 Orchard Street) through June 17, 2012. The exhibition presents new photographs and wall sculptures. The wall pieces are made from the otherwise hidden materials of traditional painting—linen, wood, rabbit skin glue, canvas, jute—they read as deconstructed canvases, wavering between sculpture and painting. Dash earned her MFA from Columbia University in 2010 and has recently exhibited at Peter Blum Gallery, Tonya Bonakdar, and Nicole Klagsbrun Gallery. She lives and works in New York and New Mexico.
N. Dash, Groundings (4), 2012. Linen, rabbit skin glue, wood support, 53 x 57”.
Jess Flood-Paddock, Sacrifice (installation view) 2010 at Swallow Street, London. Courtesy of Carl Freedman Gallery, London
London-based artist Jess Flood-Paddock is known for her monumental sculptures of pop culture objects, such as an enormous baseball cap or book jacket—often constructed of soft, ephemeral materials. She holds degrees from the Royal College of Art, London and the Slade School of Fine Art and has recently exhibited at Carl Freedman Gallery, Hayward Gallery, and Kendall Koppe, Glasgow. She is represented by GRIMM Gallery, Amsterdam and Carl Freedman Gallery, London.
Jess Flood-Paddock, Big Lobster Supper (installation view) 2010 at Hayward Gallery Project Space, London. Courtesy of Carl Freedman Gallery, London.
Jeremy Couillard, My Apocalypse Fantasy, 2012. Single channel video, 10:00.
Jeremy Couillard, Healing Hertz, 2011. Acrylic paint, electronics, wood, dimensions variable.
Jeremy Couillard’s most recent works combine video, painting, and sculpture to create interactive and brightly colored pieces inspired by how the future was represented in the past. He sites video games, cartoons, and early 20th century Futurism among his influences. Jeremy recently received his MFA from Columbia University.
Jeremy Couillard, Future Job, 2011. Acrylic LCD monitors and electrical components on and in panel, 48 x 48”.
Erik Wysocan, (Découvertes de M. Marat sur le feu, l’éctricitité, et la lumière, 1779), 2011. Found x-ray machine, wood, paint; single channel, high definition video, color, overall dimensions vary with installation. Courtesy of the artist and Andrea Rosen Gallery. Photo: Jessica Eckert.
Erik Wysocan, A Thousand & One Nights (installation view) at Andrea Rosen Gallery, 2011. Courtesy of the artist and Andrea Rosen Gallery. Photo: Jessica Eckert.
Erik Wysocan, BROADCAST, 2010. RCA portable DVD player, cellophane tape, polarizing film, acrylic, plywood, 15 1/2 x 12 x 4”. Courtesy of the artist and Andrea Rosen Gallery. Photo: Jessica Eckert.
